Art in America Magazine
by Leigh Anne Miller
June 21, 2011
Pairs of jiggly biomorphic circles jostle in richly hued fields in 10 large, super-mod abstractions from the early 1960s, a key period in Jules Olitski's career. Seeing these paintings in person helps you understand why Clement Greenberg and legions of other admirers fell head-over-heels for Olitski's work.