“Hiding in Plain Sight” at FreedmanArt, New York

BLOUIN ART INFO

October 5

“Hiding in Plain Sight,” an exhibition of objects common, and curious will be on view at FreedmanArt, New York through December 29, 2018. The exhibition explores the transformation of common objects. The works of art have been made of marble, bronze, or oil paint on well-prepared canvases. Modernism turned artists’ attention to fugitive materials.

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Hiding in Plain Sight

PRESS RELEASE

FreedmanArt - September 27

FreedmanArt is pleased to present its next exhibition, which explores the transformation of common objects. "Hiding in Plain Sight celebrates the artist's power to transform the ordinary. As revision becomes visionary, art becomes revelatory, and we begin to see common objects as the bearers of previously unimagined possibilities." - Carter Ratcliff

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Joseph Cornell, Pocket Object, 1949-1950; mixed media construction; 3 1/2 x 2 1/4 x 3/4 inches

Hudson Review

At the Galleries

April 28, 2018 - By Karen Wilkin

Colors, at FreedmanArt, 2018

Also on the Upper East Side, through early May, “Colors,” at FreedmanArt, brings together the work of more than twenty-five artists, all known for their inventive, expressive use of color, whether brilliant, raucous, or muted. It’s a notably diverse group of works on paper, paintings, and collages by such luminaries as Josef Albers, Jack Bush, Helen Frankenthaler, Hans Hofmann, Robert Motherwell, Kenneth Noland, Larry Poons, Susan Roth, Kurt Schwitters, and Frank Stella, among others. The gallery has been doing interesting thematic shows for some time—everything from works of art given by artists to their friends and colleagues to prints by painters who devoted a good deal of time to exploring other media. This exhibition takes as its point of departure a poem written by then twelve-year-old Zoe Kusyk, a student in Charlottesville, Virginia, a 2016 winner of “Writer’s Eye,” an annual competition held by the Fralin Museum of the University of Virginia that “challenges writers of all ages to create original works of poetry and prose inspired by works of art on display in the Museum.” Ms. Kusyk’s winning poem, titled “Colors,” was a response to a 1977 painting by Larry Poons, a cascade of liquid hues pulled by gravity into parallel but active rivulets, now remaining distinct, now mingling.

Review: "Colors" at FreedmanArt

(An Appropriate Distance) From the Mayor’s Doorstep

By Piri Halasz, April 1, 2018

A singularly inventive group show at FreedmanArt is “Colors” (through May 12). The idea for it was born when the gallery’s director, Ann Freedman, visited the Fralin Museum of Art at the University of Virginia in Charlottesville, VA last year, to see its exhibition devoted to Sam Kootz, the pioneering art dealer who early on represented Adolph Gottlieb, Motherwell & Hofmann, among others. While Freedman was there, her attention was drawn to a poem entitled “Colors” by a 12-year-old schoolgirl named Zoe Kusyk that had been inspired by a 1977 Larry Poons painting at the Fralin. The poem had won first prize in the annual competition inspired by the museum for works of prose or poetry inspired by works in the museum’s collection. The poem itemizes different colors but perfectly captures the way they all run together in the Poons painting and tells how the disparate but very human stories they tell also become one in the end.

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Blouin ArtInfo: "Colors" at FreedmanArt, New York

COLORS, February 15 - August 17, 2018 at FreedmanArt, New York

COLORS, February 15 - August 17, 2018 at FreedmanArt, New York

FreedmanArt “Colors” brings together works of more than 25 artists under one roof at its New York venue through August 17, 2018 “Colors” features artwork by Josef Albers, Lee Bontecou, Jack Bush, Friedel Dzubas, Sam Francis, Helen Frankenthaler, Glenn Goldberg, Nancy Graves, Stephen Greene, Grace Hartigan, Hans Hofmann, Paul Jenkins, Alfred Leslie, Robert Motherwell, Kenneth Noland, Jules Olitski, Larry Poons, Susan Roth, Kurt Schwitters, David Smith, Theodoros Stamos, Frank Stella, Esteban Vicente, John Walker, Kit White, and Jack Youngerman.

All the artists are known for their inventive, expressive use of color, whether brilliant, raucous, or muted. It is a notably diverse group of works on paper, paintings, and collages by such luminaries as Josef Albers among others. FreedmanArt has been doing interesting thematic shows for some time — everything from works of art given by artists to their friends and colleagues to prints by painters who devoted a good deal of time to exploring other media.

"Colors" takes as its point of departure a poem written by then twelve-year-old Zoe Kusyk, a student in Charlottesville, Virginia, a 2016 winner of “Writer’s Eye,” an annual competition held by the Fralin Museum of the University of Virginia that “challenges writers of all ages to create original works of poetry and prose inspired by works of art on display in the Museum.” “Colors,” was a response to a 1977 painting by Larry Poons, a cascade of liquid hues pulled by gravity into parallel but active rivulets, now remaining distinct, now mingling. “Our commitment is to the artist, and to bringing art and collector together. FreedmanArt serves to educate the public with an active exhibition program, guided by invitational artist exhibitions and special project conceptions, both historical and new,” says the gallery.

The exhibition is on view through August 17, 2018, at FreedmanArt, 25 east 73rd street New York NY 10021.
blouinartinfo.com

Press Release: COLORS

FreedmanArt

Opening Thursday February 15, 2018

FreedmanArt is very pleased to present "Colors," opening February 15, 2018. The exhibition will feature works by over twenty-five artists, including Josef Albers, Jack Bush, Sam Francis, Helen Frankenthaler, Hans Hofmann, Robert Motherwell, Kenneth Noland, Larry Poons, Kurt Schwitters, and Frank Stella, among others.

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